Sunday, July 19, 2015

Bass Guitar: Dotted Quarter and Eighth Notes

Good afternoon, fellow bassists! As promised, this week I'm posting two simple exercises utilizing one of the most memorable hooks or licks in rock and pop: The dotted quarter note and eighth note.

You can hear examples of this all over the place, but the two most prominent songs that come immediately to mind, at least for this old-schooler, are Steely Dan's Rikki Don't Lose That Number from their 1974 album Pretzel Logic, and Fleetwood Mac's Dreams, which is found on their 1977 release Rumours.

I've created two exercises in key of C, in the same chord progression that I've used for the past several postings (I promise I'll be changing things up after this; REALLY, so bear with me for one more); play through these slowly, taking your time and getting a feel for the rhythm. This is an important rhythm exercise, because it follows a drummer's basic kick drum pattern in 4/4 time.







 Learning to play consistently and convincingly in this rhythmic feel will enable you to lock in with almost any drummer out there, and they'll love you for it, because you're "in the pocket" with them.
In the second exercise, I've added some passing notes to give the work movement and a sense of tension. These are also key virtues for any good bassist. Learning to use these tones judiciously and strategically, even in the simplest of compositions, will add to that composition and make you a much more valuable asset to the band. It will also establish your credentials with any band as a knowledgeable and credible bassist. Have fun!

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